
...if charlotte's article in shift 2.1 just left you wanting more fallingwater... i didn't want to keep this to myself. "Fall View at the South Front | FĂ©lix de la Concha"
--sarah
McClelland and co-editor Graeme Stewart have assembled Concrete Toronto, a tome of writing, interviews and photographs about concrete architecture here, with a mind to reclaiming its good name – or, at least, start that conversation,"We're interested in why people appreciate certain buildings, and look at others and say `Oh, I hate that,'" says McClelland, a principal at ERA Architects, who specialize in historic restorations.
"We found that if they like it, it's because they understand it. And if they don't, it's because of a prejudice."
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In the late modern rush for democratic structures and space, concrete was not oppressive, but liberating – an inexpensive form so malleable as to lend almost sculptural possibility to the built environment. It was solid, permanent and ideal-embodying – a material that allowed an architect to believe he or she was building something that would last forever.
It was also the catalyst for a nationwide building boom, and a technological revolution in the field that wouldn't be seen again for decades, until advanced computer rendering made such things as Frank Gehry's titanium-sheathed Bilbao Guggenheim possible in 1995.